Writing Tip Wednesday – Settings and Series

Writing Tip Wednesday – Settings and Series

JA Huss

Welcome to Video Five of The Perfect Story. In this video we’re going to talk about world building and how to plot a series arc. Sorry that it’s a week late. Lots of cool shit going on right now for me – but all of it requires my time so WTW had to wait. I will try and release the next video (Pacing and Suspense) next week on schedule, but can’t make any promises.

 

If you’re just coming in on this series and haven’t yet seen the previous videos they are linked below.

Beginnings
Middles and Scenes
Hooks and Endings
Pov/Characters
Settings/Series
Pacing/Suspense
Exposition/Dialogue
Sex Scenes
Literary Devices
Editing/Blurbs

As always, if you don’t want to remember to check back every two weeks to watch the new video, you can always follow my blog using the form below and I’ll send the post right to your email. And if you have any questions, please feel free to leave a comment and I’ll answer your question as soon as I see it.

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About JA Huss

JA Huss is the New York Times and USA Today bestselling author of more than twenty romances. She likes stories about family, loyalty, and extraordinary characters who struggle with basic human emotions while dealing with bigger than life problems. JA loves writing heroes who make you swoon, heroines who makes you jealous, and the perfect Happily Ever After ending.

You can chat with her on Facebook (www.facebook.com/AuthorJAHuss), Twitter (@jahuss), and her kick-ass romance blog, New Adult Addiction (www.newadultaddiction.com).

If you’re interested in getting your hands on an advanced release copy of her upcoming books, sneak peek teasers, or information on her upcoming personal appearances, you can join her newsletter list (http://eepurl.com/JVhAr) and get those details delivered right to your inbox.

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8 Comments

  1. Julie – I’ve been following this series as well as the Marketing Strategy series and I’m not sure what I enjoy more… the info or your no-bull**** way of presenting. You’re a very talented author. Thanks for sharing your knowledge.

  2. Not sure Julie why you say that you would plot the individual books in a series first. Shouldn’t you have the grand question (series arc) plotted out first and then move into the individual book plots so that you can be assured that you are doing the individual plots with the grand question in mind? Again, really great and provoking video. I’ve been waiting for this one. Thank you.

    1. If I said it that way, I didn’t mean it. lol. You should definitely have the series plot in mind before you start. At least a very general outline.

  3. Thanks again for a wonderful and informative video. Fingers crossed on buying the house! This gave me some great ideas for things I want to try in the future. Can’t wait for the next one!!!

  4. Julie I ‘ve been learning quite a lot from your videos –even go back and replay/listen to them while doing the day job. I have a question about plotting books for a long series. I haven’t sat down and plotted the series on paper, but I know the three points. As I started to write the first book, my original plan seemed too rushed and 5 books is turning out to be more. My question is … the first plot point in each book, does it need to be that turn the MC life upside down type of problem?
    I’m writing it in a continuous fashion, even serial. I’m on my second book and found I’m off on the %, so I’m moving some things to meet the sweet spots of the points.(my genre is sweet YA romance)
    I am amazed at the time and effort you’re putting into these videos. Thank you so much for doing these.

    1. Yes. In the Plot Whisperer, she calls it a move from the “old” world to the “new” world. That can mean many different things. It can be a state of mind or something big and catastrophic. It all depends on what type of story you’re writing.

      1. If the story is character driven … would there be one huge plot point one/catalyst or could there be several incidents like you talk about in the types of endings? Character driven plot has several crisis in the ending, solving them along the way. For romance do you use one thing or several things? [I’m trying to fix a problem and maybe I’m grasping at straws, and yes I’m still learning]
        Thanks for your insight.

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